Avec Toi, Je Suis Roi,
2025
18:52 HD-video, sound & color
Previously shown at Gallery 69 (Oslo) November 2025
18:52 HD-video, sound & color
Previously shown at Gallery 69 (Oslo) November 2025
Girl finds herself not able to continue her life after losing the big love of her twenties, found in the shape of orange fur, whiskers and nighttime purring.
The longing has turned to desperation and her sorrow has become greedy. She wants more of him, can’t let him or their life together go. She rewatches photos of him, videos of them together. As she has exhausted all of their recorded relationships she starts reading books about cat language, as though this new insight will open up more about their relationship. She makes him in clay. Many times. She wonders if he still thinks about her. She finds herself in the trope of the obsessive and melodramatic woman but she can’t stop.
Book («Art history without men» by Katy Hessel), book («Word slut» by Amanda Montell), cardboard boxes and postcards.
Sculptures from the series
«Pablo Sleeping (1-6)» (2025)
Burnt unglazed stoneware
«IMG_» (2025)
Drawing, ink on paper
Five,
2025
17:04 HD-video, sound & color
Previously shown at De Platoo (Brussels) August 2025
17:04 HD-video, sound & color
Previously shown at De Platoo (Brussels) August 2025
The film was made during my second residency at De Platoo. Inspired by spending entire days in a large building that stood empty for the summer, I observed how its character changed throughout the day due to light, weather, and the busy street outside. Each room is assigned a monologue written from various events in my own life, in which I wonder about power dynamics in relationships – from intimate romantic connections to involuntary encounters with strangers at an outdoor dining area. The film reflects on the experience of being a woman. Alone in public spaces, on a first date arranged through a dating app, and navigating social media’s awkward windows into the lives of past loves.
Pablo Series, 2025
Installation with six unglazed ceramic sculptures and three drawings.
Shown at the solo exhibition Feline Aesthetics at Omnibus (Oslo) April 2025
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Pablo Sleeping (1-6), 2025
Installation with six unglazed ceramic sculptures, various boxes, bills, folded paper, yoga block and plants.
22 x 17 x 3 cm - 19 x 15 x 2,5 cm
The sculptures are installed in a domestic setting on the ground floor of the exhibition space. Inbetween plants, yoga blocks and stools the cats are spread across the floor. Occupying space in boxes, on papers and bills, they’re used to finding their own spaces and closing it off from the world.
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Installation with six unglazed ceramic sculptures and three drawings.
Shown at the solo exhibition Feline Aesthetics at Omnibus (Oslo) April 2025
Pablo Sleeping (1-6), 2025
Installation with six unglazed ceramic sculptures, various boxes, bills, folded paper, yoga block and plants.
22 x 17 x 3 cm - 19 x 15 x 2,5 cm
The sculptures are installed in a domestic setting on the ground floor of the exhibition space. Inbetween plants, yoga blocks and stools the cats are spread across the floor. Occupying space in boxes, on papers and bills, they’re used to finding their own spaces and closing it off from the world.
IMG_PAWS, 2025
Black marker on paper, 21 x 29.7 cm
IMG_, 2025
Black marker on paper, 21 x 29.7 cm
IMG_8645, 2025
Black marker on paper, 21 x 29.7 cm
Documentation by the artist
Animaux De Compagnie, 2024
20:54 video projection, sound & colours
Previously shown at Omnibus Gallery (Oslo) April 2025.
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The film Animaux De Compagnie (French for "pets") was made during my first year in Brussels, where I became obsessed with my current roommate, the cat Pablo. New in a foreign city without close relationships, he became my greatest listener and muse.
In a diary-like format, I began documenting our life together, which culminated in the film. No matter how much time we spent together, our relationship was confined to the domestic sphere. We lived separate lives, unknown to each other, and our interactions mostly took place on the couch or in bed where at least one of us was often asleep. This intimate yet isolated dynamic forms the foundation of the film, which is divided into five parts: kitchen, bedroom, bathroom, hallway, and living room. These spaces serve as the backdrop for scenes where I, through anti-capitalist and feminist monologues directed at the cat, explore the desire to have a witness to one's own life. I use Pablo to see myself, through my own gaze upon him.
The text in the film consists of personal experiences from my everyday life, separate from the cat. Through observations of people around me, mostly strangers, I reflect on phenomena such as screen culture, the sexualization of the female body, and ownership of one's own image. These themes are presented as observations without definitive solutions.
20:54 video projection, sound & colours
Previously shown at Omnibus Gallery (Oslo) April 2025.
The film Animaux De Compagnie (French for "pets") was made during my first year in Brussels, where I became obsessed with my current roommate, the cat Pablo. New in a foreign city without close relationships, he became my greatest listener and muse.
In a diary-like format, I began documenting our life together, which culminated in the film. No matter how much time we spent together, our relationship was confined to the domestic sphere. We lived separate lives, unknown to each other, and our interactions mostly took place on the couch or in bed where at least one of us was often asleep. This intimate yet isolated dynamic forms the foundation of the film, which is divided into five parts: kitchen, bedroom, bathroom, hallway, and living room. These spaces serve as the backdrop for scenes where I, through anti-capitalist and feminist monologues directed at the cat, explore the desire to have a witness to one's own life. I use Pablo to see myself, through my own gaze upon him.
The text in the film consists of personal experiences from my everyday life, separate from the cat. Through observations of people around me, mostly strangers, I reflect on phenomena such as screen culture, the sexualization of the female body, and ownership of one's own image. These themes are presented as observations without definitive solutions.
Exhibition view at Omnibus Gallery (Oslo)Documentation by the artist
Recent Selfportraits, 2024
Installation with clay sculptures, readymades.
Shown at De Platoo (Brussels) August 2024.
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Documentation from an event to finish up the summer residency at De Platoo, given by n22 Brussels. The works shown consisted of projects finished during the residency and in process works that was developed during the stay. The exhibition space was split in two; one room with the film Animaux De Compagnie and one with sculptures.
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Documentation by the artist
Installation with clay sculptures, readymades.
Shown at De Platoo (Brussels) August 2024.
Documentation from an event to finish up the summer residency at De Platoo, given by n22 Brussels. The works shown consisted of projects finished during the residency and in process works that was developed during the stay. The exhibition space was split in two; one room with the film Animaux De Compagnie and one with sculptures.
Documentation by the artist