Five
2025
17:04 HD-video,
sound & color.
Shown at De Platoo (Brussels).
This film was made during my second residency at De Platoo, where I let myself be inspirated by the solitude of spending time in a large building left empty for the summer. Spending entire days there, I observed how it’s character shifted with the changing light, weather, and the busy street outside. The different rooms holds space where I perform monologues in which I, through the lens of romantic relationships, reflect on human dynamics, screen culture and womanhood.
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Feline Aesthetics
2025
Installation with six unglazed ceramic sculptures, three drawing and a film projection.
Solo exhibition shown at Omnibus (Oslo)
April 2025.
This exhibition featured the sculpture series Pablo Sleeping 1-6
(2025), installed in a domestic, cat-like setting, alongside the drawings IMG_, IMG_8645, and IMG_2 (2025). On the second floor, visitors was met with the film Animaux de Compagnie (2025).
Through both film and sculptures, Feline Aesthetics explores broader themes of intimacy, solitude, and self-perception. The exhibition also touches on stereotypes associated with women and cats and the social prejudices surrounding the choice to prefer the company of a cat.
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Through both film and sculptures, Feline Aesthetics explores broader themes of intimacy, solitude, and self-perception. The exhibition also touches on stereotypes associated with women and cats and the social prejudices surrounding the choice to prefer the company of a cat.
Animaux
De Compagnie
202420”54’ video projection,
sound & colours
HD & Mini-DV recordings
The film Animaux De Compagnie (French for "pets") was made during my first year in Brussels, where I became obsessed with my current roommate, the cat Pablo. New in a foreign city without close relationships, he became my greatest listener and muse.
In a diary-like format, I began documenting our life together, which culminated in the film. No matter how much time we spent together, our relationship was confined to the domestic sphere. We lived separate lives, unknown to each other, and our interactions mostly took place on the couch or in bed where at least one of us was often asleep. This intimate yet isolated dynamic forms the foundation of the film, which is divided into five parts: kitchen, bedroom, bathroom, hallway, and living room. These spaces serve as the backdrop for scenes where I, through anti-capitalist and feminist monologues directed at the cat, explore the desire to have a witness to one's own life. I use Pablo to see myself, through my own gaze upon him.
The text in the film consists of personal experiences from my everyday life, separate from the cat. Through observations of people around me, mostly strangers, I reflect on phenomena such as screen culture, the sexualization of the female body, and ownership of one's own image. These themes are presented as observations without definitive solutions.
In a diary-like format, I began documenting our life together, which culminated in the film. No matter how much time we spent together, our relationship was confined to the domestic sphere. We lived separate lives, unknown to each other, and our interactions mostly took place on the couch or in bed where at least one of us was often asleep. This intimate yet isolated dynamic forms the foundation of the film, which is divided into five parts: kitchen, bedroom, bathroom, hallway, and living room. These spaces serve as the backdrop for scenes where I, through anti-capitalist and feminist monologues directed at the cat, explore the desire to have a witness to one's own life. I use Pablo to see myself, through my own gaze upon him.
The text in the film consists of personal experiences from my everyday life, separate from the cat. Through observations of people around me, mostly strangers, I reflect on phenomena such as screen culture, the sexualization of the female body, and ownership of one's own image. These themes are presented as observations without definitive solutions.
Clear Channel Publication
2024
Event at Blindern subway stop, Oslo
Self published, 58 pages - text & images
Publication made of a collection of documentation and phone notes from the project Clear Channel that was visible in public space from 2022-2023. The event lasted one day and was held at Blindern Subway stop.
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Recent Selfportraits
2024
Installation with clay sculptures, readymades and a video projection.
Shown at De Platoo (Brussels).
Documentation by the artist.
Documentation from an event to finish up the summer residency at De Platoo, given by n22 Brussels. The works shown consisted of projects finished during the residency and in process works that was developed during the stay. The exhibition space was split in two; one room with the film Animaux De Compagnie and one with sculptures.
