Five,
2025
17:04 HD-video, sound & color
Previously shown at De Platoo (Brussels) August 2025
17:04 HD-video, sound & color
Previously shown at De Platoo (Brussels) August 2025
The film was made during my second residency at De Platoo. Inspired by spending entire days in a large building that stood empty for the summer, I observed how its character changed throughout the day due to light, weather, and the busy street outside. Each room is assigned a monologue written from various events in my own life, in which I wonder about power dynamics in relationships – from intimate romantic connections to involuntary encounters with strangers at an outdoor dining area. The film reflects on the experience of being a woman. Alone in public spaces, on a first date arranged through a dating app, and navigating social media’s awkward windows into the lives of past loves.
Feline Aesthetics, 2025
Installation with six unglazed ceramic sculptures, three drawings and a film projection.
Shown at Omnibus (Oslo) April 2025
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This exhibition featured the sculpture series Pablo Sleeping 1-6 (2025), installed in a domestic, cat-like setting, alongside the drawings IMG_, IMG_8645, and IMG_2 (2025). On the second floor, visitors was met with the film Animaux de Compagnie (2024).
Through both film and sculptures, Feline Aesthetics explores broader themes of intimacy, solitude, and self-perception. The exhibition also touches on stereotypes associated with women and cats and the social prejudices surrounding the choice to prefer the company of a cat.
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Installation with six unglazed ceramic sculptures, three drawings and a film projection.
Shown at Omnibus (Oslo) April 2025
This exhibition featured the sculpture series Pablo Sleeping 1-6 (2025), installed in a domestic, cat-like setting, alongside the drawings IMG_, IMG_8645, and IMG_2 (2025). On the second floor, visitors was met with the film Animaux de Compagnie (2024).
Through both film and sculptures, Feline Aesthetics explores broader themes of intimacy, solitude, and self-perception. The exhibition also touches on stereotypes associated with women and cats and the social prejudices surrounding the choice to prefer the company of a cat.
Documentation by the artist
Animaux De Compagnie, 2024
20:54 video projection, sound & colours
Previously shown at Omnibus Gallery (Oslo) April 2025.
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The film Animaux De Compagnie (French for "pets") was made during my first year in Brussels, where I became obsessed with my current roommate, the cat Pablo. New in a foreign city without close relationships, he became my greatest listener and muse.
In a diary-like format, I began documenting our life together, which culminated in the film. No matter how much time we spent together, our relationship was confined to the domestic sphere. We lived separate lives, unknown to each other, and our interactions mostly took place on the couch or in bed where at least one of us was often asleep. This intimate yet isolated dynamic forms the foundation of the film, which is divided into five parts: kitchen, bedroom, bathroom, hallway, and living room. These spaces serve as the backdrop for scenes where I, through anti-capitalist and feminist monologues directed at the cat, explore the desire to have a witness to one's own life. I use Pablo to see myself, through my own gaze upon him.
The text in the film consists of personal experiences from my everyday life, separate from the cat. Through observations of people around me, mostly strangers, I reflect on phenomena such as screen culture, the sexualization of the female body, and ownership of one's own image. These themes are presented as observations without definitive solutions.
20:54 video projection, sound & colours
Previously shown at Omnibus Gallery (Oslo) April 2025.
The film Animaux De Compagnie (French for "pets") was made during my first year in Brussels, where I became obsessed with my current roommate, the cat Pablo. New in a foreign city without close relationships, he became my greatest listener and muse.
In a diary-like format, I began documenting our life together, which culminated in the film. No matter how much time we spent together, our relationship was confined to the domestic sphere. We lived separate lives, unknown to each other, and our interactions mostly took place on the couch or in bed where at least one of us was often asleep. This intimate yet isolated dynamic forms the foundation of the film, which is divided into five parts: kitchen, bedroom, bathroom, hallway, and living room. These spaces serve as the backdrop for scenes where I, through anti-capitalist and feminist monologues directed at the cat, explore the desire to have a witness to one's own life. I use Pablo to see myself, through my own gaze upon him.
The text in the film consists of personal experiences from my everyday life, separate from the cat. Through observations of people around me, mostly strangers, I reflect on phenomena such as screen culture, the sexualization of the female body, and ownership of one's own image. These themes are presented as observations without definitive solutions.
Exhibition view at Omnibus Gallery (Oslo)Documentation by the artist
Recent Selfportraits, 2024
Installation with clay sculptures, readymades.
Shown at De Platoo (Brussels) August 2024.
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Documentation from an event to finish up the summer residency at De Platoo, given by n22 Brussels. The works shown consisted of projects finished during the residency and in process works that was developed during the stay. The exhibition space was split in two; one room with the film Animaux De Compagnie and one with sculptures.
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Documentation by the artist
Installation with clay sculptures, readymades.
Shown at De Platoo (Brussels) August 2024.
Documentation from an event to finish up the summer residency at De Platoo, given by n22 Brussels. The works shown consisted of projects finished during the residency and in process works that was developed during the stay. The exhibition space was split in two; one room with the film Animaux De Compagnie and one with sculptures.
Documentation by the artist
Fanclub, 2023
Inkjet print 208 x 110 cm, 208 x 48 cm, A4 x 2, 02:01 videoloop
Shown at Oslo Kunstforening (Oslo) May 2023
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This project consists of T-shirts featuring a print of the artist’s own body, photographed by herself. The t-shirts are sent to people with whom she has had sex with. Exceptions are made due to reasons like sexual violence or unlisted adresses. After the t-shirts are sent, no further communication, such as text messages, are answered.
The installation documents the preparation process: packing the T-shirts, shown both as a video and a photo scan of each steps The second part presents the aftermath, including recieved messages, a returned package, and two different meetings with recipients. Both meetings are transcribed; one is displayed separately on the wall and made available in both English and Norwegian for the audience to take.
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Inkjet print 208 x 110 cm, 208 x 48 cm, A4 x 2, 02:01 videoloop
Shown at Oslo Kunstforening (Oslo) May 2023
This project consists of T-shirts featuring a print of the artist’s own body, photographed by herself. The t-shirts are sent to people with whom she has had sex with. Exceptions are made due to reasons like sexual violence or unlisted adresses. After the t-shirts are sent, no further communication, such as text messages, are answered.
The installation documents the preparation process: packing the T-shirts, shown both as a video and a photo scan of each steps The second part presents the aftermath, including recieved messages, a returned package, and two different meetings with recipients. Both meetings are transcribed; one is displayed separately on the wall and made available in both English and Norwegian for the audience to take.
Other works visible by Amanda Sanders
Documentation by Einar Fuglem & Hanna Hilmersson